살인의추억 Memories Of Murder 밥은 먹고 다니냐

살인의 추억은 봉준호 감독이 연출한 2003년 한국 범죄 스릴러 영화입니다. 
1986년부터 1991년까지 한국에서 발생한 화성 연쇄살인 사건을 바탕으로 하는
송강호, 김상경, 박해일 주연의 영화입니다.

이 영화는 화성 연쇄살인 사건을 수사하는 두 명의 형사 
박두만(송강호)과 서태윤(김상경)의 이야기를 그립니다. 
두 형사는 서로 다른 배경과 수사 방식을 가지고 있지만, 
살인범을 잡기 위해 함께 일해야 합니다.

이 영화는 인간의 어두운 면을 다룬 어둡고 불안한 영화입니다. 
또한, 인간 정신의 힘을 다룬 강력하고 감동적인 영화이기도 합니다. 
살인의 추억은 범죄 스릴러와 한국 영화를 좋아하는 분들에게 꼭 봐야 할 영화입니다.

 

Memories of Murder is a 2003 South Korean crime thriller film directed by Bong Joonho. The film is based on the true story of the Hwaseong serial murders, which took place in South Korea from 1986 to 1991. The film stars Song Kang-ho, Kim Sang-kyung, and Park Hae-il.

The film tells the story of two detectives, Park Doo-man (Song Kang-ho) and Seo Tae-yoon (Kim Sangkyung), who are assigned to investigate the Hwaseong serial murders. The two detectives are from different backgrounds and have different approaches to detective work, but they must work together to catch the killer.

The film is a dark and disturbing look at the dark side of human nature. It is also a powerful and moving film about the power of the human spirit. Memories of Murder is a must-see for fans of crime thrillers and Korean cinema.

 

 

 

 

봉준호 감독의 연출 스타일 분석 Analyzing Bong Joon-ho's Directorial Style

 

봉준호는 독특하고 시각적으로 돋보이는 영화로 유명한 한국 영화감독입니다. 
<살인의 추억>은 그의 초기 작품 중 하나이며, 
그의 이야기꾼 기술과 시각적 스토리텔링 기술을 보여줍니다.

영화는 1980년대 한국을 배경으로 한 범죄 스릴러입니다. 
연쇄 살인 사건을 조사하는 임무를 맡은 두 명의 형사의 이야기를 담고 있습니다. 
영화는 비선형적인 방식으로 전개되며, 
시청자를 몰입시키기 위해 다양한 스토리텔링 기술을 사용합니다.

영화의 가장 눈에 띄는 특징 중 하나는 시각적 스타일입니다. 
봉준호는 다양한 기술을 사용하여 어둡고 분위기 있는 영화를 만듭니다. 
촬영은 종종 거칠고 흐릿하며, 어둠과 그림자의 사용은 불안감을 조성합니다.

영화는 또한 유머의 사용으로도 주목할 만합니다. 
봉준호는 영화의 어두운 주제를 피하지 않지만, 유머의 순간도 찾아냅니다. 
이것은 영화가 너무 무거워지지 않도록 돕고, 캐릭터를 더 관련성 있게 만듭니다.

<살인의 추억>은 복잡하고 도전적인 영화이지만 보람 있는 영화이기도 합니다. 
한 번 보면 오래도록 남을 영화입니다.

 

Bong Joon-ho is a South Korean filmmaker known for his unique and visually arresting films. Memories of Murder is one of his early works, and it showcases his talent for storytelling and visual storytelling.

The film is a crime thriller set in South Korea in the 1980s. It tells the story of two detectives who are tasked with investigating a series of serial murders. The film is told in a non-linear fashion, and it uses a variety of storytelling techniques to keep the viewer engaged.

One of the most striking aspects of the film is its visual style. Bong Joon-ho uses a variety of techniques to create a dark and atmospheric film. The cinematography is often grainy and washed out, and the use of shadows and darkness creates a sense of unease.

The film is also notable for its use of humor. Bong Joon-ho does not shy away from the dark subject matter of the film, but he also finds moments of levity. This helps to keep the film from becoming too heavy, and it also makes the characters more relatable.

Memories of Murder is a complex and challenging film, but it is also a rewarding one. It is a film that will stay with you long after you have seen it.

 

 

반응형

 

 

영화 촬영법 검토 Examining the Film's Cinematography

 

시각적 구성

살인의 추억의 영화 촬영은 긴 테이크, 심도 깊은 초점, 자연광의 사용으로 특징지어집니다. 
이것은 현실감과 진정성을 조성하고 이야기에 몰입하는 데 도움이 됩니다. 
영화의 촬영 감독인 김형구는 또한 긴장과 서스펜스를 조성하기 위해 다양한 프레임 기술을 사용합니다. 
예를 들어, 그는 종종 캐릭터를 문이나 창문으로 프레임화하여 폐소공포증과 불안감을 조성합니다.

색상 사용

영화의 색상 사용도 주목할 만합니다. 
영화는 주로 갈색, 녹색, 회색의  muted tones로 촬영됩니다. 
이것은 어둡고 억압적인 분위기를 조성하고 영화의 어두운 주제에 반영합니다. 
그러나 밝은 색의 섬광도 있습니다. 
예를 들어, 피해자의 피의 빨간색입니다. 
이 색의 순간은 폭력과 범죄의 야만성을 강조하고, 살인자의 행동의 인간적 비용을 상기시킵니다.

카메라 기술

영화의 촬영 감독은 또한 현실감과 긴장감을 조성하기 위해 다양한 카메라 기술을 사용합니다. 
예를 들어, 그는 종종 핸드헬드 카메라를 사용합니다. 
이것은 영화에 날것의 느낌을 줍니다. 
그는 또한 다양한 클로즈업과 트래킹 샷을 사용합니다. 
이것은 친밀감과 즉각성을 조성하는 데 도움이 됩니다.

전체

살인의 추억의 영화 촬영은 영화의 성공에 중요한 부분입니다. 
영화의 촬영 감독인 김형구는 그의 기술을 사용하여 시각적으로 놀랍고 분위기 있는 영화를 만듭니다. 
이 영화는 불안하고 생각을 자극합니다.

 

 

Visual Composition

The cinematography in Memories of Murder is characterized by its use of long takes, deep focus, and natural lighting. This creates a sense of realism and authenticity, and helps to immerse the viewer in the story. The film's director of photography, Kim Hyung-ku, also uses a variety of framing techniques to create tension and suspense. For example, he often frames the characters in doorways or windows, which creates a sense of claustrophobia and unease.

Use of Colors

The film's use of colors is also noteworthy. The film is predominantly shot in muted tones of brown, green, and gray. This creates a somber and oppressive atmosphere, which reflects the dark subject matter of the film. However, there are also occasional flashes of bright color, such as the red of the victim's blood. These moments of color serve to highlight the violence and brutality of the crimes, and to remind the viewer of the human cost of the killer's actions.

Camera Techniques

The film's director of photography also uses a variety of camera techniques to create a sense of realism and suspense. For example, he often uses handheld cameras, which gives the film a raw and unpolished feel. He also uses a variety of close-ups and tracking shots, which helps to create a sense of intimacy and immediacy.

Overall

The cinematography in Memories of Murder is a vital part of the film's success. The film's director of photography, Kim Hyung-ku, uses his skills to create a visually stunning and atmospheric film that is both unsettling and thought-provoking.

 

 

상징주의 해체 Deconstructing the Symbolism

 

 

<살인의 추억>은 서서히 고조되는 분위기의 분위기 있는 스릴러 영화로 
정의, 기억, 악의 본질에 대한 주제를 탐구합니다. 
이 영화는 또한 상징과 은유의 사용으로 주목을 받습니다.

영화에서 가장 눈에 띄는 상징 중 하나는 비입니다. 
비는 세상의 어둠과 혼돈을 나타냅니다. 
또한 주인공의 정의 추구를 나타냅니다. 
비는 영화 내내 끊임없이 존재하며 불안과 공포의 분위기를 조성합니다.

영화의 또 다른 중요한 상징은 돼지입니다. 
돼지는 살인자를 나타냅니다. 
살인자는 영화에서 결코 보이지 않지만 돼지와 자주 연관됩니다. 
살인자의 소굴은 돼지 농장에 위치하고 있으며 그는 종종 돼지 가면을 쓰고 있습니다. 
돼지는 폭력과 타락의 상징입니다.

영화는 또한 몇 가지 은유를 사용합니다. 
가장 중요한 은유는 미로의 은유입니다. 
미로는 주인공의 정의 추구를 나타냅니다. 
미로는 길을 찾기 어려운 미로와 같은 구조입니다. 
주인공의 정의 추구는 마찬가지로 어렵고 좌절스럽습니다.

영화는 또한 거울의 은유를 사용합니다. 
거울은 주인공의 자신의 반영을 나타냅니다. 
주인공은 자신의 어둠과 자신의 악의 가능성에 직면하게 됩니다.

<살인의 추억>은 복잡하고 도전적인 영화입니다. 
이 영화는 정의, 기억, 악의 본질에 대한 주제의 탁월한 탐구입니다. 
이 영화는 또한 시각적으로 놀라운 영화로 상징과 은유로 가득합니다.

 

The film is a slow-burning, atmospheric thriller that explores the themes of justice, memory, and the nature of evil. The film is also notable for its use of symbolism and metaphor.

One of the most striking symbols in the film is the rain. The rain is used to represent the darkness and chaos of the world. It is also used to represent the protagonist's search for justice. The rain is a constant presence throughout the film, and it serves to create a sense of unease and dread.

Another important symbol in the film is the pig. The pig is used to represent the killer. The killer is never seen in the film, but he is often associated with pigs. The killer's lair is located in a pig farm, and he is often seen wearing a pig mask. The pig is a symbol of violence and depravity.

The film also uses a number of metaphors. One of the most important metaphors is the metaphor of the labyrinth. The labyrinth is used to represent the protagonist's search for justice. The labyrinth is a maze-like structure that is difficult to navigate. The protagonist's search for justice is similarly difficult and frustrating.

The film also uses the metaphor of the mirror. The mirror is used to represent the protagonist's own reflection. The protagonist is forced to confront his own darkness and his own capacity for evil.

Memories of Murder is a complex and challenging film. The film is a masterful exploration of the themes of justice, memory, and the nature of evil. The film is also a visually stunning film that is full of symbolism and metaphor.

 

 

밥은 먹고 다니냐?

이것봐요, 서류는 거짓말 안한다니깐요

그래!.. 내가 죽였다!... 내가 다 죽였다!.. 이말이 듣고 싶은거지? 그렇지? 이제 속이 시원해?

뭐랬더라? 맞어, 옛날에 여기서 자기가 했던일이 생각나서 진짜 오랜만에 한번 와봤다. 이랬는데?

 

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마더 모성애와 정의사이

 

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